The
whole thing which runs for a month til 20 October is a curated show created and
paid for by the City of Sydney. This year is a delight really, with some of the
longstanding favourites like City Life making a return and some very clever and
engaging installations with a message.
The
Sydney Life photography prize is the backbone of the festival and now in its 12th
year. Each of the finalist images has been blown up and exhibited along St
James Avenue in Hyde Park including sunbakers, family pets, a whale washed up
on the beach, Spiderman enjoying a beer and an aerobics class in action.
Jenny
Evans from Woollahra is the winner of the $10,000 prize. Jenny’s stunning
image, Eleanor, portrait of a boxer, was one of 22 finalist images selected
from more than 1,300 submissions. It’s an interesting mix and in capturing so
many different aspects it’s a show that hits home what a diverse old lot we
are. I loved the black and white shot of Newtown called ‘time is a foggy road
that has no end’ it’s a very different and eerie look at City life.
Sydney
Life’s junior counterpart, Little Sydney Lives, is 20 images captured by kids
aged 3-11 years and displayed in Sandringham Gardens. There very cute and I was
a little envious, taking funky photos was never on my playlist way back in the
day.
A
celebration of the ‘flashing men’ that stop traffic around the world and keep
pedestrians safe adorn street banners all over the city centre. ‘Walking Men
Worldwide’ is a photographic collage of 99 different pedestrian traffic light
icons. Just walking around and glancing at all the different interpretations
with the city label on the banner, your mind drifts to those city streets,
especially to those that you might have been lucky to visit.
I
think the highlight and the most thought provoking is FIELD is a mesmerising artwork that brings the surreal into the public domain
through constantly changing, reflected scenes in Hyde Park. The maze of mirrors
on 81 posts create an ever-changing experience, in daylight it is very
voyeuristic and at night almost a fairy glen.
I’ve
read elsewhere that the artist Alexandra Heaney said “The purpose of FIELD is
perspective, with the reflective material being a symbolic tool for reflecting
on ourselves, those around us, our past and what is just around the corner –
literally.” You will find yourself questioning what is real and what is
reflection – it’s the must experience moment!
Finally,
Snailovation is part of the Regeneration Art Project, which places intriguing,
large, coloured animal installations in a variety of unusual spaces across the
globe to inspire people to see their cities in a different light. These
Italian, Belgian and French artists have previously made giant turtles, rabbits
and penguins in other world cities. The snails have captured everyone’s
attention and Facebook and Instagram pages have been saturated with photos of
these very likable and colourful visitors.
When
I heard a friend, who never raises an art whim, say it’s like every street,
laneway, building site, intersection and thoroughfare is a canvas, then I think
something very special has engulfed us for the moment.
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