It’s
a lightweight musical comedy with a simple story line. Wednesday Addams, the
ultimate princess of darkness, has grown up and fallen in love with a sweet,
smart young man from a respectable family and who she plans to become engaged
to. She confides in her father and begs him not to tell her mother, which
nearly kills him as he has never kept a secret from his wife before.
photo by Jeff Busby |
photo by Jeff Busby |
This, it must be
said, in Broadway Musical terms is a
small and simple show, not a lot of spectacular set changing and everyone
pretty much stays in the one costume throughout. But what makes this show so
fun right now is the absolutely spot on casting. John Waters as Gomez is
excellent and carries the weight of holding the whole thing together with all
his depth of experience and wonderful stage craft. He can do it all, has a
great singing voice and hams up every gag he’s given.
Teagan Wouters as Wednesday
and Katrina Retallick as Alice Beineke and both perfect in their roles
and young Liam Faulkner-Dimond as Pugsley Addams has just the right mix
of trouble maker and angel - he’s’ delightful. Chloe Dallimore gives a fine
performance and gets to show off her outstanding dance skills, which we first
saw in the Producers and which made her a star, giving this Morticia
great balance between shining showgirl and doting mother and wife.
Russell Dykstra as Uncle
Fester all but steals the show; he takes the audience along on a very sweet
and hilarious journey as he falls in love with the moon. Every time he’s on
stage his antics supply so much of the show’s charm and fun. His big number,
where he serenades the moon, uses some great theatre smoke and mirrors and got
some of the best audience reaction of the night.
This night out is not
what you might be used to in a ‘Broadway Musical’ and sure by the time you get
home it’s almost a distant memory – but for the two hours in the dark it’s a
charming and funny escape.
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