The
jewel in the Sydney drag scene crown, the lavish production show, is feeling
the squeeze. Affected by cultural, political and economic challenges we now
have only seven production shows playing over four venues and featuring just 12
showgirls. This once thriving aspect of the industry, often billed as some of
the best drag performance in the world, is in flux.
We’ve
known for some time that culturally these shows have become less popular within
the broader LGBTI community. At the same time drag has burst into the general
entertainment landscape where the industry as a whole is broader than ever.
Look at the popularity of drag trivia, drag bingo and drag karaoke nights
playing throughout the greater Sydney area almost every night of the week.
Politically
the current lockout laws have been a major contributing factor to the loss of
stages and declining audiences for these kinds of shows. Pre-lockouts, drag
fans would start at the pub for a smaller early show and then meander to the
nearest nightclub for those early morning spectaculars. That foot traffic is
gone – along with the flow-on jobs this industry created.
These
shows are more expensive to produce than ever before and while the current showgirls
are geniuses in stretching their small budgets, the days of constantly changing
costumes and large casts are gone. The old adage that you ‘never make money
from drag’ is certainly no throwaway line these days – it’s harder than ever to
make a living out of drag.
Glenn
Hansen, Promotions and Marketing Manager at Stonewall Hotel said: “I think the
decline is because some businesses don’t see them as an investment and they can
be expensive. Lockout laws have also effected businesses and closures have occurred
and this has limited the work for performers and DJs. We have been very lucky
and Stonewall is super busy on a Friday and Saturday night especially at show
times.”
All
this highlights the changing nature of the Sydney drag scene, not its death.
Like the other great gay cites in the world, our scene will adapt and, in
pockets, flourish. The wonderful creativity and the ability of the young
performers to innovate, and the understanding of the venues to nurture their
loyal and appreciative audiences, will be fundamental to this.
Indeed,
it’s a discussion worth having now with the drag community and their supporters
soon turning their focus on the 25th anniversary of DIVA. It certainly has the
showgirl and drag community speculating on its future.
DIVA,
or the Drag Industry Variety Awards as it was known, was established in 1991 to
celebrate what was then a fast growing drag scene. DIVA has a vibrant and
successful history. It has played an important part in showcasing this creative
scene and many a famous performer has helped enshrine DIVA into this town’s gay
heritage.
And
like all our other community organisations, DIVA has had to adapt over the
years. Indeed, no body reaches their 25-year milestone without changing with
the times.
But
let me put my cards on the table. I’m a former DIVA board member.
Currently
DIVA hands out sixteen awards for excellence in various categories. Most of
these relate to production shows. The awards ceremony features a host of
one-off specially produced shows designed to showcase the current breath of
performers on the scene.
Given
the rapidly changing nature of the drag scene, perhaps it’s time to review and
adjust DIVA for the future.
Current
DIVA Chair Greg Steele said the board are planning to launch community
consultations after this year’s awards to how DIVA can adapt and change with
the times. Some of the current board members will be retiring and it will be a
good time to seek new volunteers from the drag community and their friends who
love the Sydney scene.
“At
the moment my small team and I are focused on planning an event for this
special anniversary, and later in the year we’ll begin a conversation about the
future,” Steele said.
“We
invite the whole showgirl community and their friends to come and join us for
this fabulous celebration.”
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